chinese-language film: historiography, poetics, politics / ul

From China, Taiwan, and Hong Kong to Singapore and Hollywood, from martial arts films of the early twentieth century to Crouching Tiger Hidden Dragon at the turn of the twenty-first century, Chinese-language films have opened new doors to the imaging and construction of national and ethnic identity. This volume, the most comprehensive work to date on Chinese film, explores the manifold dimensions of the subject and highlights areas overlooked in previous studies.
In the essays in this collection leading scholars take up issues and topics covering the entire range of Chinese cinema. Their cross-cultural engagements with individual films, accomplished with an acute sense of chronology and history, tackle questions of issues related to historiography, poetics, aesthetics, genres, and directorial styles; at the same time, they address the economics of film production and consumption as well as the cultural politics of globalization, identity, subjectivity, nationality, citizenship, and gender formation as embodied in filmic texts. They offer insightful, detailed analyses of films by such internationally renowned directors as Zhang Yimou, Hou Hsia-hsien, Ang Lee, Wong Kar-wai, Zhang Yuan, Jia Zhangke, Tsai Ming-liang, Lin Cheng-sheng, Jiang Wen, Ann Hui, Sylvia Chang, Wu Nianzhen, Eric Koo, and others.

Chinese-Language Film makes a significant contribution to international film studies. It will become required reading for all those, whether student, specialist, or general reader, who are interested in Chinese cinema and international film culture or concerned with questions of nationalism, transnationalism, globalization, and multiculturalism.

china's lost decade : cultural politics and poetics 1978-1990, In place of history / lee

The period in China's recent history between the death of Mao and the débâcle of 1989 can be seen as a "lost" decade: "lost" in the sense that the political engagement of intellectuals and makers of culture has been occulted by official history-telling; "lost" also in that its memory has been abandoned even by many who lived through it; "lost" also in the embarrassed silence of those who prefer to focus on the economic miracle of the 1990s that gave rise to today's more prosperous China; and "lost" as a time of opportunity for cultural and political change that ultimately did not happen.

Calling on over thirty years of acquaintance with China including five years spent studying the cultural scene in Beijing during the 1980s, the author here traces the imbrication of culture, politics and history of a decade when everything seemed possible.

the gender of memory: rural women and china's collective past / hershatter

What can we learn about the Chinese revolution by placing a doubly marginalized group--rural women--at the center of the inquiry? In this book, Gail Hershatter explores changes in the lives of seventy-two elderly women in rural Shaanxi province during the revolutionary decades of the 1950s and 1960s. Interweaving these women's life histories with insightful analysis, Hershatter shows how Party-state policy became local and personal, and how it affected women's agricultural work, domestic routines, activism, marriage, childbirth, and parenting--even their notions of virtue and respectability. The women narrate their pasts from the vantage point of the present and highlight their enduring virtues, important achievements, and most deeply harbored grievances. In showing what memories can tell us about gender as an axis of power, difference, and collectivity in 1950s rural China and the present, Hershatter powerfully examines the nature of socialism and how gender figured in its creation.


"I was swept into the world of Hershatter's Gender of Memory. Each of these oral histories is riveting and astonishing, giving a human -- and often, heartbreaking -- dimension to history. As this book shows, history is not simply recorded facts, but what is remembered by those who were once silent." --Amy Tan

"Gail Hershatter's book transforms our understanding of China's Communist revolution. Organizing women and raising their status was a central goal of Communist leaders from the start. But what difference did that commitment make to the course of modern Chinese history? Hershatter's answers - framed in the language of her rural informants -- are stunning. In her moving and often wrenching interviews with rural women, she comes to understand that women's active support, sacrifice, and engagement ultimately gave the Communist leadership its authority at the household level." --Susan Mann, author of The Talented Women of the Zhang Family

"One of the most important works on China's much-neglected 1950s, and a very significant contribution to the literature on historical memory and methodology. There really is something for everybody here." --Kenneth Pomeranz, author of The Great Divergence

"This book is in a league of its own: a meticulous, thoughtful and sensitive interrogation of sources about an understudied aspect of China's revolutionary history, a critical exploration of how gender mediates personal recollections of the past, and a beautifully written narrative about women's experiences of China's land reform and collectivisation in the 1950s." --Harriet Evans, author of The Subject of Gender: Daughters and Mothers in Urban China

"Hershatter's ethnographically rich and original analysis of time and gendered periodization is revelatory and her powerful account of the early basis for genuine utopianism is utterly convincing." --James C. Scott, author of The Art of Not Being Governed

the politics of memory in postwar europe / lebow, wulf & fogu

For sixty years, different groups in Europe have put forth interpretations of World War II and their respective countries’ roles in it consistent with their own political and psychological needs. The conflict over the past has played out in diverse arenas, including film, memoirs, court cases, and textbooks. It has had profound implications for democratization and relations between neighboring countries. This collection provides a comparative case study of how memories of World War II have been constructed and revised in seven European nations: France, Germany, Austria, Switzerland, Poland, Italy, and the USSR (Russia). The contributors include scholars of history, literature, political science, psychology, and sociology. Country by country, they bring to the fore the specifics of each nation’s postwar memories in essays commissioned especially for this volume. The use of similar analytical categories facilitates comparisons.

An extensive introduction contains reflections on the significance of Europeans’ memories of World War II and a conclusion provides an analysis of the implications of the contributors’ findings for memory studies. These two pieces tease out some of the findings common to all seven countries: for instance, in each nation, the decade and a half between the late 1960s and the mid-1980s was the period of most profound change in the politics of memory. At the same time, the contributors demonstrate that Europeans understand World War II primarily through national frames of reference, which are surprisingly varied. Memories of the war have important ramifications for the democratization of Central and Eastern Europe and the consolidation of the European Union. This volume clarifies how those memories are formed and institutionalized. Google Books.

Contributors. Claudio Fogu, Richard J. Golsan, Wulf Kansteiner, Richard Ned Lebow, Regula Ludi, Annamaria Orla-Bukowska, Heidemarie Uhl, Thomas C. Wolfe

chile in transition: the poetics and politics of memory / lazarra

Lazzara examines the political, ethical, and aesthetic implications of the diverse narrative forms Chilean artists have used to represent the memory of political violence under the Pinochet regime. By studying multiple "lenses of memory" through which truths about the past have been constructed, he seeks to expose the complex intersections among trauma, subjectivity, and literary genres, and to question the nature of trauma's "artistic" rendering. Drawing on current theorizations about memory, human rights, and trauma, Lazzara analyzes a broad body of written, visual, and oral texts produced during Chile's democratic transition as representations of a set of poetics searching to connect politics and memory, achieve personal reconciliation, or depict the "unspeakable" personal and collective consequences of torture and disappearance. In so doing, he sets the "politics of consensus and reconciliation" against alternative narratives that offer an ethical counterpoint to "forgetting and looking toward the future" and argues that perhaps only those works that resist hasty narrative resolution to the past can stand up to the ethical and epistemological challenges facing postdictatorial societies still struggling to come to terms with their history. Grounded in Lazzara's firsthand knowledge of the post-Pinochet period and its cultural production, Chile in Transition offers groundbreaking connections and perspectives that set this period in the context of other postauthoritarian societies dealing with contested memories and conflicting memorializing practices, most notably with Holocaust studies. Amazon Books.


"A lucid and well-thought-out study of artistic expressions that evoke experiences from the years of the military dictatorship in Chile. . . . The perceptive analyses, intelligent insights, and breadth of information . . . make this [book] compelling reading."--Maria Ines Lagos, University of Virginia

Lazzara examines the political, ethical, and aesthetic implications of the diverse narrative forms Chilean artists have used to represent the memory of political violence under the Pinochet regime. By studying multiple "lenses of memory" through which truths about the past have been constructed, he seeks to expose the complex intersections among trauma, subjectivity, and literary genres, and to question the nature of trauma's "artistic" rendering.

Drawing on current theorizations about memory, human rights, and trauma, Lazzara analyzes a broad body of written, visual, and oral texts produced during Chile's democratic transition as representations of a set of poetics searching to connect politics and memory, achieve personal reconciliation, or depict the "unspeakable" personal and collective consequences of torture and disappearance. In so doing, he sets the "politics of consensus and reconciliation" against alternative narratives that offer an ethical counterpoint to "forgetting and looking toward the future" and argues that perhaps only those works that resist hasty narrative resolution to the past can stand up to the ethical and epistemological challenges facing postdictatorial societies still struggling to come to terms with their history.

Grounded in Lazzara's firsthand knowledge of the post-Pinochet period and its cultural production, Chile in Transition offers groundbreaking connections and perspectives that set this period in the context of other postauthoritarian societies dealing with contested memories and conflicting memorializing practices, most notably with Holocaust studies.

rites of return: diaspora poetics and the politics of memory / hirsch & miller

The first decade of the twenty-first century witnessed a passionate engagement with the losses of the past. Rites of Return examines the effects of this legacy of historical injustice and documented suffering on the politics of the present. Twenty-four writers, historians, literary and cultural critics, anthropologists and sociologists, visual artists, legal scholars, and curators grapple with our contemporary ethical endeavor to redress enduring inequities and retrieve lost histories. Mapping bold and broad-based responses to past injury across Eastern Europe, Africa, Latin America, Australia, the Middle East, and the United States, Rites of Return examines new technologies of genetic and genealogical research, memoirs about lost family histories, the popularity of roots-seeking journeys, organized trauma tourism at sites of atrocity and new Museums of Conscience, and profound connections between social rites and political and legal rights of return. Google Books.

Contributors include: Lila Abu-Lughod, Columbia University; Nadia Abu El-Haj, Barnard College; Elazar Barkan, Columbia University; Svetlana Boym, Harvard University; Saidiya Hartman, Columbia University; Amira Hass, journalist; Jarrod Hayes, University of Michigan; Marianne Hirsch, Columbia University; Eva Hoffman, writer; Margaret Homans, Yale University; Rosanne Kennedy, Australian National University; Daniel Mendelsohn, writer; Susan Meiselas, photographer; Nancy K. Miller, CUNY Graduate Center; Alondra Nelson, Columbia University; Jay Prosser, University of Leeds; Liz Sevchenko, Coalition of Museums of Conscience; Leo Spitzer, Dartmouth College; Marita Sturken New York University; Diana Taylor, New York University; Patricia J. Williams, Columbia University

re-envisioning the chinese revolution: the politics and poetics of collective memory in reform china / yang & lee

Popular memories of the revolutionary past have become a political and cultural force in China. Traumatic memory and active criticism make up part of this wave, but so does nostalgia for collective responsibility and for feelings of freedom and progress.

Re-envisioning the Chinese Revolution is the first comprehensive study of contemporary memories of China’s revolutionary epoch, from the time of Japanese imperialism through the Cultural Revolution. Path-breaking in its scope, the research in this volume carefully examines the memories of a wide range of social groups, including disenfranchised workers and rural women, who have often been neglected in scholarship. Looking at a variety of embodiments of memories—interviews, films, photo exhibits, museums, and websites—the authors, ranging from anthropologists to film studies specialists, present original research on the idea of “memories as a cultural and political phenomenon.” The result is an unprecedented and illuminating reexamination of the memory of, and occasionally nostalgia for, the Chinese Revolution. Google Books.

Contributors include: Anita Chan, Robert Chi, David J. Davies, Kirk A. Denton, Gail Hershatter, Ching Kwan Lee, Kimberley Ens Manning, Erik Mueggler, Paul G. Pickowicz, Jonathan Unger, Ban Wang, and Guobin Yang.