Showing posts with label walter scott. Show all posts
Showing posts with label walter scott. Show all posts

Saturday, March 3, 2012

literary memory: scott's waverley novels and the the psychology of narrative


Bucknell University Press, 2003 - Language Arts & Disciplines - 249 pages

Google Books.


This book draws together three different but related kinds of inquiry. First, it approaches the history and theory of memory in the long eighteenth century to focus on the philosophical and literary writing of Enlightenment and post-Enlightenment Scotland. Debates about the significance and working of memory and the nature of cognition were recurrent and contentious throughout the period, and were particularly pronounced in Scotland, where the psychological tradition of Common Sense philosophy developed in response to the skeptical metaphysics of David Hume. This book examines the importance of these debates for the literature and culture of the late eighteenth and early nineteenth centuries: Walter Scott is exemplary, as his thinking about memory was conditioned by the epistemological arguments of the Scottish Enlightenment. Second, it studies Scott's rhetoric of memory and his engagement with, and transformation of, Enlightenment psychological categories, most significantly in the Waverley Novels. Finally, this book is concerned with the role of memory in literary creativity.

Monday, January 2, 2012

portable monuments: literature, cultural memory, and the case of jeanie deans



Author: Rigney, Ann This article seeks to contribute to contemporary discussions on the workings of cultural memory and examines in particular the way in which literary texts can function as a social framework for memory. Through a detailed study of the genesis, composition, and long-term reception of Walter Scott’s “The Heart of Midlothian (1982 [1818]),” I argue that literary texts play a variety of roles in the formation of cultural memory and that these roles are linked to their status as public discourse, to their fictional and poetical qualities, and to their longevity. This analysis of the multiple roles of literary texts in what I call “memorial dynamics” sheds light on the complex communicative processes by which images of the past are formed and transformed over time. It indicates the need to consider discontinuity as a feature of memorial dynamics and to recognize, for better or for worse, that fictionality and poeticity are an integral and not merely “inauthentic” feature of cultural memory.
Poetics Today, Summer, 2004, Vol.25, p.361 -396 [Peer Reviewed Journal]